Design Academy Eindhoven Graduation Catalogue 2025.
The aim of the design of this catalogue was to move beyond a flat, one-dimensional representation of design and instead offer a dynamic, multifaceted view of designers and their work. It creates a space where different voices, stories, and layers meet, emphasising complexity, ambiguity, and the human presence at the core of design.Reflecting the layered nature of both the graduates and their projects, the catalogue presents not only polished outcomes but also personal perspectives and processes, allowing each student to articulate their position and the relational context of their work.
Each spread—presenting a graduate and their work—is built around two perspectives: the left side focuses on the designer’s voice and the right side presents the project visually. The professional photography on the right is printed with a high-gloss finish, highlighting the refinement and clarity of the final work, while the left side embraces a looser, more process-driven aesthetic, without gloss, conveying individuality, experimentation and the messiness inherent in creation. Both sides blend visually into one another, underscoring how student and project inform and shape each other.
17 × 24 cm, Softcover, 496 pages, Print Run: 1500.
ISBN 9789491400520
Printer: Gerin Buch, Wolkersdorf
Lithography: Pixelstorm, Vienna
Design Academy Eindhoven Graduation Catalogue 2025.
The aim of the design of this catalogue was to move beyond a flat, one-dimensional representation of design and instead offer a dynamic, multifaceted view of designers and their work. It creates a space where different voices, stories, and layers meet, emphasising complexity, ambiguity, and the human presence at the core of design.
Reflecting the layered nature of both the graduates and their projects, the catalogue presents not only polished outcomes but also personal perspectives and processes, allowing each student to articulate their position and the relational context of their work.
Each spread—presenting a graduate and their work—is built around two perspectives: the left side focuses on the designer’s voice and the right side presents the project visually. The professional photography on the right is printed with a high-gloss finish, highlighting the refinement and clarity of the final work, while the left side embraces a looser, more process-driven aesthetic, without gloss, conveying individuality, experimentation and the messiness inherent in creation. Both sides blend visually into one another, underscoring how student and project inform and shape each other.
17 × 24 cm, Softcover, 496 pages, Print Run: 1500.
ISBN 9789491400520
Printer: Gerin Buch, Wolkersdorf
Lithography: Pixelstorm, Vienna