2023
2021
Studio Joost Grootens, ongoing collaboration, Amsterdam, NL
2019
Grafisches Büro, Vienna, AT
2018
Studio LWZ & Manuel Radde, ongoing collaboration, Vienna, AT
2016
Internship at Inspiranto, design agency, Salzburg, AT
2015
Internship at Werbenetzwerk, design agency, Salzburg, AT

2023
Teaching position, New Design University, AT
2022
Lecture on visualizing complexity, New Design University, AT, class Enrico Bravi
2017
Lecture on Datavisualization for the magazine Ballesterer, New Design University, AT, class Enrico Bravi

2021
2018
2018
Workshop with Thomas Castro (LUST, Stedelijk, NL)
2013
Studied Architecture & Sociology at TU Vienna and University of Vienna for 1.5 years
2012
Graduation from High School Herz-Jesu Missionare, Salzburg, AT

2023
2023
2020
IIID Award, Gold & Bronze
2018
Atlas of No Direction Home honored for outstanding performance
2017
2nd place at the Competition to design the official Life Ball Wine Label


Philipp Doringer is a Graphic- & Informationdesigner living and working in Vienna, AT

Email                  ciao@philippdoringer.com
Phone                0699 19343707
Instagram         Pdoringer

Address             Wohlmutstraße 15–17/2/14
                              1020 Vienna

Renderings      Felix Blum

book
book
book


The Precision in Imprecision

Absolute knowledge and precision are seen as key values in our society. Not knowing something with certainty is seen as a flaw. The intolerance for multiple forms of truth, uncertainty, and ambiguity leaves no room for negotiationmand is a method of exclusion. This linear way of thinking and the human urge to precisely demarcate and classify all aspects of life dismiss an often more complex reality. These set lines through which exact division is sought between here and there, black and white, gender, or species are increasingly blurring and are no longer effective in this ever more diverse time, if they ever were.

By questioning the certainty of the one-dimensional linear representation for boundaries, this text aims to recognize the value of ambiguity and argues that, by letting go of the wish for precision, the resulting imprecision can lead to a more accurate view of borders as well as the world in general and can promote open dialogue. Imprecision would then lead to precision, so accuracy— like life — is blurry and far from being certain in general, even though we do not want to acknowledge it. This was a self initiated artistic research project.


Materials

Paper Cover
Fedrigoni Sirio Pearl Platinum 110 g/m²
Paper Inside
Munken Lynx 90 g/m²